Manic technology
The opening section of this post from Dean W. Ball ticks off a list of projects he’s accomplished in the past month using AI coding companions. The volume is intended to be striking, and it is, but/and by the fourth or fifth bullet (of thirteen) it’s also … A LOT.
I have several friends who seem to have entered the same space. Of their AI coding companions, each has said some version of: “It never gets tired of talking to me!” You can see the ways in which this is great —
I’m starting to think language models are a fundamentally manic technology, in part because they operate exclusively through logorrhea, the “yeah, yeah, YEAH!” of the all-nighter.
If my assessment is true, it’s good news for the business of AI: capitalism loves mania; it loves caffeine, all the amphetamines; it loves urgent possibility; it loves solving the problem of “too much X” with “even more Y”. I don’t intend that in any particularly snarky way; just a plain historical observation.
Mania is another word for “bubble”, of course, just as we use “depression” for economic as well as psychological contraction. I’m partial to the overarching theory of psychological mania and depression as a change in the brain’s eagerness to conduct signals: the manic brain lights up too easily, while the depressed brain is too reluctant. That’s basically how economists see (inflationary) manias and (deflationary) depressions, too: disruption of, or divergence from, a real economy’s “ideal” output.
The “ideal” setting for a brain (or an economy?) isn’t necessarily straight down the middle. A dip into the realm of mania can be useful, sometimes revelatory. I don’t know if many creative projects would ever get started if our brains didn’t sometimes relax the standards by which they light up.
Yet for a human mind and a human heart, one really good project is more nourishing than ten cruddy ones; that was true a hundred years ago, and it’s true today. The AI coding companions will never ever say: “Hey … whatever happened to that other thing you were working on?”
I suppose you still need friends for that, people who know you, who know when you’re talking too fast, and the gleam in your eye has taken on a hard edge.
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